Series

What happens when you restore temporary, is it saved? In the following collection of drawings and the accompanying texts I examine the boundary between spontaneous and innocent transience and its rearrangement. I ask - is it possible to restore the ephemerality? Does the restoration prevent it from taking place? Magical outings (1977 to 2001) into a culture foreign to me, to new places sometimes without knowing where. Hand on the map to select the next place and so on roll from point to point.

The series of tunnels is currently taking place and is still going on. This series is coming and going, it has emerged in different techniques and in different formats - in text, in acrylic on canvas, in linoleum print. A lot of the topics I deal with appear as a series popping up and coming in an attempt to exhaust my doubts and not always it ends, I move on to another topic and come back.

We have had a different and challenging period in the last year and a half in the world. To all this was added the local politics that created tension and divided the people and of course a country surrounded by enemies we "won" even in a tense political situation that put us in the sealed rooms and shelters.

The creative process of this project began with a personal search in childhood memories, one of the things that came up was the memory and desire to travel the world as a way of fantasy by wandering from place to place not physically but mentally. Which left me with a bodyless portrait that allows me to wander and perhaps give the viewer a chance to share with me and try to experience the feeling of missing.

Today in the corona period when half of our face is hidden in a mask, in fact the person speaking in front of us mostly reveals his eyes and hands that run the discourse. In conversation most people usually listen to words, ie use mainly the sense of hearing what is being said, single and sharp are those who notice the facial and hand expressions it is already a combination of the sense of sight during conversation, observation and deeper listening The one that is expressed in allusion and is sometimes called "gut feeling" and that is not scientifically measured and not cut into a clear word is difficult for us to know and judge what is being said (in the eyes and hands as an additional language).

When I serve food I place emphasis on how the food and aesthetics are created on the plate in order to create emotion and feeling in the diner. In this project I present a presentation of food on canvas not as an inanimate nature object, but as an object with human qualities that evoke feelings and sensations in the viewer. For example, this moment when the viewer forgets to look at the food and meets the couple who are on the canvas.